I’m really liking it so far, inasmuch as I can like a new Zelda. To a certain extent my enthusiasm for the brand has diminished with each installment; might just be some formula fatigue, like I got with Pokemon and Harvest Moon despite the fact that games in those series have probably collected hundreds of my hours over the years.

A Link To The Past has this distinctly alien, mysterious quality that I think the brand has lost over the years in favor of a prettier sort of magic. Zelda games are so ritualized now, so tautly Nintendo (not a negative adjective by any measure) that they start to feel like Disney rides or something.

Never stops me from finding things to love about almost every one, though. This time it’s Zelda herself, and I think she’s indirectly brought something new and special to Skyward Sword I’ve explained in my newest Gamasutra editorial, if you’d like to have a look.

I wrote about the peculiar comfort in being ill over at Thought Catalog, plus the uncommonly silent limbo of spending a holiday in New York City if you’re not particularly Christmas-oriented.

Okay, so one article about being sick, one article about a holiday, and here, one sort-of serious satire about my struggles to get my work done on time and well. Believe it or not, there were some people out there who thought this piece was real advice. I disclaim all liability for what will happen to you if you’re that oblique!

Right, but somehow I still did get some stuff done: An editorial on Skyrim. All right, trolls: I think Skyrim is completely rubbish. I have no interest in playing it any more. I have no idea who designed the combat system, looked at that swordplay and went “HEY IT WORKS IT’S PERFECT.” Like, really? The game also combines a lot of things I’m just not interested in: high fantasy setting, open world, and loads of lore.

However (who am I kidding, half of you will not read the ‘however’ and have already begun typing me nerd rage death threats) — HOWEVER, I totally get why people love it. Totally get it; I wrote a bit about that at Gamasutra.

People like feeling like they’re an influential part of something larger than themselves; they like games that give them things to explore and share together. That’s the principle with which Jesse Schell is working with his company’s new Puzzle Clubhouse, an intriguing new idea for crowdsourced game design. Check the interview.

And it wouldn’t be a new year at Gamasutra without our usual exhaustive year-end roundups; I contributed Top 5 Controversies a bit ago, and now I add Top 5 Surprises.

As usual we round up all our year-end material — including our overall top ten games — into one big feature for your reading pleasure. This year, our individual contributions to the game of the year list were bylined, so you’ll be able to see which titles I vouched the hardest for. Give it a read!

Lots of you have asked what I think of the big changes going down at Kotaku. I’ve worked with the staff there for some years, including both Brian and Joel, and I wish them tons of the best in their new endeavors, Brian in particular after years of service to — come on, face it — our space’s most relevant consumer gaming site.

But I’m also incredibly thrilled to see what Stephen and the new guard (including my real good bro Kirk Hamilton) will accomplish over at the big K. Stephen in particular is a fantastic editor who’s done a lot for me, and I think his role as Kotaku EIC spells amazing things.

For those that mailed/IMed/Tweeted whatever, as far as I know I’ll continue my monthly column as normal, as I’ve done for I think nearly three years now!